A "“"sunrise to noon"”" series materializes every Sunday in New York for two months in 1976. The artist takes 80
folding wooden chairs to locations throughout lower Manhattan, often tipping them diagonally to create
guerrilla installations. This is the first action to extend Finkel"’"s studio comprehensively to the outdoors.
From "“"A Geography of Home: Alan Finkel"’s" Public Art"”"
by Arlene Raven, Sculpture, March 1998
Vol. 17 no. 3 pp. 29
